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Mapping Consciousness

Mapping Consciousness

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Thoughts on Werner Erhard’s EST, Richard Bandler’s NLP and Joseph Riggio’s MythoSelf Process Models

“A map is not the territory it represents, but if correct, it has a similar structure to the territory, which accounts for its usefulness.” – Alfred Korzybski

This may be one of the most used, most misquoted, and most misunderstood comments driving multiple models of human cognition and behavior.

Maps, Territories and Models

The reason I say this about the Korzybski quote “A map is not the territory it represents, but if correct, it has a similar structure to the territory, which accounts for its usefulness.” is because it’s so often presented as, “A map is not the territory.” FULL STOP!

“A map is not the territory.” is a very different notion than “A map is not the territory it represents, but if correct, it has a similar structure to the territory, which accounts for its usefulness.” READ THEM BOTH CAREFULLY, AND NOTICE WHAT THEY ARE POINTING TO SPECIFICALLY.

I am a picky user of language, because language is our primary means of representing “what is”… i.e. the world, reality … and we act on our representations of “what is” NOT on “what is.”

Language is a composition of symbols in a syntax and grammar that give rise to semantic form, i.e.: meaning, or more accurately, the meaning we apply to the sequence of symbols in the language we use (see Saussure and his comments on signals and signifiers for more clarity). 

The semiotician, Umberto Eco, introduced a concept about text as potentially “open” versus “closed,” meaning that the texts are “fields of meaning” and not “strings of meaning.” This idea gives the semantic power (the ability to create and choose meaning) to the reader versus the author. Even when the author might clearly intend a meaning in an open text, it is the reader that confers it.

I believe that this is also true in verbal communication, i.e.: that the listener confers meaning, and not the speaker. 

Based on this observation the author and the speaker create fields of meaning from which their readers and listeners can confer the meaning they intend, without trying to close the system. 

To confer meaning in an open system the author or speaker need then to infer the meaning in the way they present the information they are representing, because the reader and listener will always interpret what is written or spoken and not simply absorb it “as is” unchanged. To do this requires a deep understanding of how the intended audience will transform what is presented as they interpret and incorporate it for themselves. There are some cases in theater and film that I can think of where the playwright or screenwriter has done this particularly well.

Presenting meaning in theater and film has the advantage of a four-dimensional format to express the intended meaning via physical expression and interaction with all that implies, happening through movement in space and time. The richness of the four-dimensional aspect of representation more closely simulates our lived experience than can be expressed in a two-dimensional format like text. Text however has the advantage of remaining more open, leaving more room to imply meaning without directly conferring it. Speaking can also remain more open in this way, with the advantage of simultaneously layering inferences in the non-verbal aspect between the speaker and listeners. 

Hypnotic protocol takes advantage of this open framework in speaking, and in the hands of a master writer in text as well. Inference resides at the heart of hypnotic protocol. By the precise and creative use of suggestion a pathway can be formed that provides the least resistance for the listener or reader to confer meaning. Many playwrights and screenwriters use hypnotic protocol to create the experience they want to confer to their audience, leaving less room for interpretation as the actors’ work unfolds the story being represented by them.

Let’s bring this back again now, with the fullness of what I’ve shared to the comment by Korzybski, “A map is not the territory it represents, but if correct, it has a similar structure to the territory, which accounts for its usefulness.” Maps seek to capture in representational form the structure of a territory, e.g.: a context or process, that allows the user to navigate and transverse the territory the map represents with a degree of confidence that they will successfully get from where they begin to where they intend to arrive.

The consideration of Korzybski’s comment then isn’t that maps aren’t what they represent, i.e.: “The map is not the territory.” but that maps are tools to navigate and transverse territories that when “correct” will be useful in doing so. Keeping this in mind we can move on to models which provide a similar if not the same function.

EST, NLP & the MythoSelf Process Models:

All three of these models, EST, NLP and the MythoSelf Process model, use the fundamental concept that Korzybski suggests in what may be the most famous quote coming from his own General Semantics model, i.e.: “A map is not the territory it represents, but if correct, it has a similar structure to the territory, which accounts for its usefulness.”

Werner Erhard and EST:

In the case of EST, NLP, and the MythoSelf Process a model of reality, or more precisely, a model of how to conceive of reality and our interactions in it, is organized and presented. 

I am a huge fan of Werner Erhard’s work and his EST model. In that work, Werner points back to some of the fundamental notions of Martin Heidegger’s ontological and phenomenological philosophy, especially his considerations on “being.” To massively simplify that application portion of Werner’s model he points to the perceiver of a context as giving meaning to the context, literally bringing the context into being by conferring meaning. He takes this idea to an extreme in suggesting that by our “word” – literally our speaking into being – we bring contexts forth and can transform ourselves and the world we occupy by doing so. 

The inverse of this is also true of Werner’s work, that by not “being our word” we live in a state akin to an automaton simply responding to the context we encounter like “meat machines” moved around by the feelings aroused by the stimuli we experience. The process that functions to create the cause-and-effect response of the so-call meat machine is the “story” we are living inside of that we presume is real, when in fact it’s just the stories that have been conferred upon us, that we have now colluded with, and from there bring forth new stories that contain the same contexts as the stories we have incorporated. This process creates a never-ending loop of repeating the same story of our life over and over with little or no relief. 

By “speaking our word” we can bring new contexts into being, and transform the story into the one we desire wholeform. One of the flaws I perceive in the EST model is the suggesting that we lead from “being” and not “thinking” or “doing” … and, and yet there is not mechanism or process provided for creating our “word” and thereby transforming our “story” without the “thinking” required to do so. The EST model can be a very powerful to create transformation, but requires a devolution into solipsisim to function as it’s presented. 

If I take the EST model literally the Rene Descartes ontological catch phrase, “I think, therefore I am.” becomes “I think it, therefore it is.” Without too much stretching the EST model can viewed through Korzybski’s conception of maps, as a ontological distortion that might read, “The map IS the territory.” 

Richard Bandler and NLP

The NLP model starts in a very different place than the EST model. NLP begins with the idea that what we know as being real is really representation, and the process we use to create, manipulate and utilize our representations determines how well they will work for us in creating the outcomes we desire. 

Werner Erhard in the EST model suggests that transformation happens by speaking it into the world, ignoring the story of how we have known the world to be, and choosing a context that brings into being our intentions. This process, as I’ve presented it above, is known in EST circles as “being your word,” i.e.: because I say it is so it will be so. (NOTE: I love this idea, even as I see the flaws in it … flaws I see even when it works. Being personally driven in a phenomenologically empirical way to arrive at my own conceptions, the human cost of this method of living and bringing into being my intended outcomes is just too high for me to personally accept.)

In the NLP model as presented by Richard Bandler there is a cognitive process that begins and ends in representational forms of sensorial experience that are able to be intentionally modified and manipulated to create a better map of the world from the point of view of functional usefulness. The individual who perceives the world does so by the way they represent the world to themselves internally, as well as to the degree that they are able to observe the world as it is, i.e.: to align their internal representations in a way that accurately describes the external context as it is now. The step after being able to accurately represent the world as it is now, is to have the flexibility to represent the world as you’d like it to be, and to manipulate the way you internally represent your experiences to generate responses that bring about your desired outcomes. 

NLP also has a secondary application of being able to map the way others internally represent the world to themselves by calibrating their verbal and non-verbal expressions in communication. A significant part of the process of mapping the internal representations of any context, i.e.: past, present or future, is contained in the language use to express the context by the language user. 

Withing the NLP model you have multiple sub-models that are designed to make sense of the language patterns of the user, e.g.: the Meta-Model and Meta-Programs, and to use language interventions to modify these patterns to a more useful form, e.g.: reframing and hypnosis. In addition NLP users are trained to notice the non-verbal aspects in communication as well, for instance the representational system preferences of an individual in context, e.g.: visual vs auditory, or visual to auditory, or visual and auditory. Any combination and sequence of the sensory modalites can be present, and a skilled NLP user will be able to discern by tracking language usage and non-verbal patterns what these combination and sequences are as they communicate and calibrate what they are observing. 

In the NLP model this ability to calibrate the way contexts are represented internally, and to modify these representations allow the NLP user to transform their experience of the context, make new choices, and create the intended outcome with much greater facility. It is also possible to use these same skills in communicating with other to bring about intended outcomes with them as well.

Joseph Riggio and the MythoSelf Process Model

Joseph Riggio (me, in the third person) has designed the MythoSelf Process model drawing on and from both of the models presented above, the EST and NLP models. In addition there is a deep draw on and from Roye Fraser’s Generative Imprint model. 

The Generative Imprint model can be considered an applicaiton of the NLP model emphasizing the access to the excitatory bias and using wholeform communication to do that, and then leaping beyond the representation of reality within the framework of the excitatory bias to a deeper transcendent experience of being alive in a wellformed way that expresses as a pervasive sense of wellbeing and infinite possibilities. In Roye’s model this transcendent experience is the Generative Imprint and is held in “symbolic, iconic, representational form.”

“Form” is a critical consideration in Roye’s model and work. He literally being from and ends what happens in the model by accessing the form of the Generative Imprint. Accessing the Generative Imprint aligns an individual with themselves in relation to their sense of place and possibility to the Universe or the Cosmos as it’s unfolding in real time. The experience of accessing the Generative Imprint brings the indvidual into a very hightened sense of being present through time, i.e.: their past, present and future, in a deeply aware, sensorial way.

I was a student of Roye’s in an intensive seven-year apprenticeship, becoming deeply immersed in the Generative Imprint model, how to access it and apply it for myself and with others. The main processes used to access and elicit the form of the Generative Imprint are based in the NLP model and it’s applicaitons.

After working closely with Roye and observing how he interacted with his clients over several thousands of hours in the training and clinical context with him there was no doubt regarding the intensity of his use of somatic form as well as semanitc form in his work. This observation led me to the first expression of what is now the MythoSelf Process model. The first unique distinction I brought to the MythoSelf Process model that moved it some distance away from the other three models I have been presenting and discussing is the primacy of the use of the body and tracking somatic from at the macro and micro levels of expression. 

Somatic Form in the MythoSelf Process Model

The main premise of the MythoSelf Process model has always been that the ontology of the individual is grounded somaticaly, i.e.: in the body. The somatic form gives rise to semantic form as sensorial experience is expressed in body sensations and responses. In the MythoSelf Process model we know reality as we experience it in sensorial form before there is any post-sensorial representation. 

This idea of pre-representational sensorial form drives all of the transformational interventions within the MythoSelf Process model that allow a user to access and modify their awareness of reality and being, as well as the reponses available to them to take action in the world creating their intended outcomes. 

In the MythoSelf Process model we hold a primary presumption that all of our experiences, including the realization of our intended outcomes, are a function of the action we take and choose not to/fail to take. The action we take are our behavioral responses, so if we desire anything in our lives, including the desire for it to be different in some way we need to modify our behavioral responses that keep the way we experience our lives as we do intact. 

Because we accept that we are ontologically grounded somatically, and our sensorial awareness drives our experience and way of knowing the world, we cannot change our behavior without first changing how we are in ourselves, i.e: somatically, and the way we experience the contexts we occupy sensorially. So within the MythoSelf Process model transformation becomes a soma-semantic function of shifting the sensorial filters we use and the way we sort and process the information we are experiencing and responding to in the action we take (or choose not to/fail to take).

This distinction of driving behavior sensorially, but shifting what and how we are perceiving in and about the contexts we occupy create a significant distinction in the MythoSelf Process model as a a priori model of behavioral change. Within the model we never seek to directly change behavior, instead we simply change the perceptions of reality we hold in the contexts we occupy, and those we intend to occupy, and allow our behaviors to follow form that way of perceiving ourselves and the context we are in or are moving towards. (NOTE: This process can be, and often is, applied to past contexts and events as we consider them too, leading to a reorganization of how we know the world about us and ourselvees in relation to it to be, including our relationships with others … past, present and future.)

The Use of Story in the MythoSelf Process Model

A final commnent on the MythoSelf Process model for this writing concerns the use of story, specifically autobiographical narrative, in creating and stablizing the awareness of ourselves in relation to a specific perceptual position we hold and operate from to create our intended outcomes. This idea that story contains and holds our awareness intact connects the MythoSelf Process to Werner’s EST, Bandler’s NLP and Fraser’s Generative Imprint models. A distinction in the applicaition of story in the MythoSelf Process model is that we hold story as “open” versus “closed” in the way Umberto Eco suggests is possible. In the MythoSelf Process model a facilitator working with a client will create a story-form that infers the possibilities of creating and experiencing the intended outcomes of the client. The story-form connects both the specific autobiographical narrative of the individual client to the “field of meaning” that is also suggested by other stories in mythic form that support the individual in remaining in choice regardless of the extant, empirical evidience that suggests a given path, allowing them to draw on a much wider and bigger range of human experience and possibilities than they could contain on their own.

Joseph Riggio, Ph.D.
Sarasota, FL, 23 Aug 2022

Communication Mastery

Communication Mastery

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Thinking is Communication … Communication is Thinking

I was speaking with a client this morning and it came up again …

THINKING IS COMMUNICATION … COMMUNICATION IS THINKING

It’s an idea that’s plagued me for half a decade now. It’s remarkable how clearly this makes sense to me today … how obvious it is to me.

Every once in a while I like to revisit the essence of what I do and why I do it, with and for my clients … i.e.: what value I bring to the work I do and am paid for with and by clients.

Here’s my latest update on that consideration, as of this Sunday afternoon, as I sit contemplating it here on 21 August 2022.

Introduction and History:

But let’s go back thirty years or so when I was first coming into the world of NLP, and it was introduced to be as a human communication technology. At that time the idea was that NLP was a way of considering communication and its implications in human interaction. Alongside the idea or interpersonal communication, it was also presented to me that NLP was an intrapersonal human communication technology too.

In the world of NLP the way we process language (the “Linguistic” part of NLP, “Neurolinguistic Programming”) was the critical consideration, especially the nature of syntactical processing, or the sequencing of the internal representations we use to think. In NLP terms this is the V-A-K-O/G representational systems comprised of V-visual, A-auditory, K-kinesthetic, O-olfactory, and G-gustatory, also know as a 4-tuple, where O & G collapse into an overlaid, singular representational form.

Beyond the primacy of the representational systems processing, NLP also looks at linguistic processing, the nature of how language creates representations and meaning. So there are models within the NLP model that address how we process language, like the Meta-Model which looks at the processes of Generalizing, Distorting and Deleting information in linguistic representations, or Meta-Programs which look at how we preference and evaluate language on a continuum of opposites to make sense of and create meaning from linguistic representations.

Then I think forward from that early indoctrination in the NLP model to my years of studying with Roye Fraser, including his training me in the model of work he developed, the Generative Imprint model. The Generative Imprint model is a meta-application of the NLP model that uses a unique positive orientation based in the excitatory bias, using a wholeform structure of perception and communication.

As I think about the years of apprenticing with Roye what stands out most is his use of hypnotic language to create wholeform interactions. Roye’s use of language was exquisite and aimed at what he referred to as the “symbolic, iconic representation” of the Generative Imprint, or a way a person knew themselves to be whole and complete, where they experienced a pervasive sense of wellbeing. This was his forte, and his raison d’etre too.

In the early years of working with Roye I came up with my own application of the Generative Imprint model I called the Mythogenic Self Process (the “myth-making” self process), which I later modified and shortened to the MythoSelf Process. The naming of the MythoSelf Process for my model has remained consistent now for almost 25 years, although the model has been through many revisions and refinements.

It took many years for me to clarify the essence of these models, NLP, the Generative Imprint model and my own MythoSelf Process model. As I was doing this I continued to explore and study other models as well, some philosophic, some psychologic, some an overlay like phenomenology and phenomenography, some others like linguistic and mathematical models, and a deep dive into brain-, neuro- and cognitive- sciences..

However, only after I seriously dove into the exploration and study of cybernetic systems in modeling human cognition and communication was it that all the pieces began to come together. This was the beginning of a profound understanding of the structure of wholeform thinking and communication I had mastered, under Roye’s tutelage and with his intense mentoring.

The Development of SSCT | Sensory-Systems Control Theory

Once I got that deep cybernetic patterns of human perception and cognition I could clearly see the connections between sensorial awareness and symbolic representation that form the basis of what we refer to as thought, and from thought, mind.

It became obvious to me that we transform our direct sensory experiences into symbols of representation so rapidly that there is no temporal gap for all intents and purposes between the two, i.e.: sensations instantaneously are translated into symbols in our conscious cognitive experience. This process is so instantaneous and absolute that reality as we know it is comprised of the symbolic representations we derive from sensory experience, and not based on the actual sensory experience itself.

This led me to develop the theory of human cybernetic cognition that progresses from sensory experience to perception, from perception to sense-making, from sense-making to meaning-making, from meaning-making to decision-making, and from decision-making to action-taking (behavioral response). I refer to this sequential process as the “Ladder of Perception.”

Most of the Ladder of Perception occurs outside of conscious awareness in the feed-forward system from sensation to response. With training the cognitive processing from perception to decision-making can be made conscious in hindsight, looking back from action-taking/response through each of the preceding steps of the Ladder of Perception model.

With advanced training and diligent practice the processing of the steps of the Ladder of Perception can become available consciously as they are happening, and with further advanced training before they happen in the cognitive sequence. When the process that will happen in the cognitive sequence can be considered before it has occurred and created a feed-forward effect in the system adumbration of the unfolding situation becomes possible.

When you can adumbrate the situation you are experiencing, what will most likely happen based on what has happened and is happening is revealed and can be acted upon before it happens as it will if the system is allowed to continue unfolding on the path it is currently taking.

Adumbrating gives you the opening and opportunity to intervene in a system before the event you want to alter has occurred, reshaping the context and framework to allow a different and most desirable outcome to become possible than is possible in the way the current context and framework are organized and being held.

The SSCT | Sensory-System Control Theory is a model that suggests that behavior is shaped at the level of sensation, and by changing the nature of perception behavior can be shaped and will follow. When we can and do choose what and how we are perceiving in the contexts we engage in we can shape the behaviors we need to express that will create the outcomes we desire. Obversely we cannot shape behavior by trying to change our behavior directly, since all behavior is an outgrowth of perception, and if the perceptions remain unchanged our behaviors will always revert to those in alignment with our perceptions.

Sensorial Awareness as Symbolic Representation

Ultimately we want to be able to choose the outcomes we create by our behaviors, because while we cannot necessarily control the contexts we find ourselves in, we do have control over what and how we are perceiving within and in relation to the contexts that contain us.

When we choose our perceptual position we can then manifest and enact the behaviors most likely to produce the outcomes we desire. Choosing our perceptual position requires us to become aware of the symbolic representations we are responding to in the context. By noticing the symbolic forms we are responding to, we can choose to shift our perceptual position until we generate the symbolic form that will and does allow us to manifest and express the most useful behavior in regard to creating the most desirable outcome.

One of the most potent ways to shift the symbolic representation is to shift the filters we are using for our primary way of attending to what we’re experiencing at the sensorial level of awareness.

This can include changing the primary filter, say from visual to vestibular, or auditory to proprioceptive, as well as changing what we noticing for within a given representational system and how we’re noticing for that information sensorially prior to the transform from perception to sense-making (NOTE: in the MythoSelf Process model in addition to the V-A-K-O/G 4-tuple we extend it to a 7-tuple of primary representational systems, V-A-K-O-G- and Vs-vestibular and P-proprioceptive).

Then as we progress through the Ladder of Perception sequencing we can force the sorting pattern of information that would best support our manifestation and expression of the behavioral response most likely to create the outcome we desire. When we shift the filters and force the sorts in this way we begin to reset the processing pattern we use in relation to this situation and the creating the outcomes we desire. Within the MythoSelf Process model this is called “creative expression.”

Creative expression can be partially or fully realized, and is or is not, by the facility that you have with shifting the filters and forcing the sorts to create the behavioral manifestation and expression that most aligns with your ability to create the outcomes you desire. The more elegant the pattern of behavior, the more we can say that you are realizing the fullness of you most profound, potent and powerful creative expression.

When you a fully realizing your creative expression in the behaviors you manifest and express you are living in the most aligned way possible with your innate sense of self, and aligning with that in regard to your external performance. In this way you have begun to create the outcomes you desire by being most who you are, and reducing the friction and compromise in the system. Ultimately when you have refining this pattern and made it the default way you take action the system comes to rest, there is no urgency, stress, anxiety or conflict you experience in taking action in this way.

We can say that when the system is at rest, and you are expressing yourself in the most elegant way possible you are in a state of flow, or what we call your State of Perfection.

By applying the SSCT | Sensory-System Control Theory to notice what happens at the sensorial level of awareness, and in the translation to symbolic representation prior to taking action, we can refine the perceptual position to bring the system to rest.

When you have patterned in the requisite perception training to notice the perceptual position you are holding and its effect on the Ladder of Perception sequencing, and you are capable of choosing the position you adopt and hold to bring the system to rest, you are accessing the reference point of your State of Perfection.

Since the process requires you to attend to your sensorial awareness in a pre-representational way, it is useful to think of this as a somatic intention that occurs in direct sensorial experience had in the body-mind, before the translation to symbolic representation. Only after you have processed the sensorial experience somatically can you accurately identify the accuracy of the symbolic form to the sensorial reality. This transformation from sensation to symbol is a semantic transformation, turning direct sensorial experience into meanings that can ignite conscious decision-making leading to deliberate action-taking, i.e.: in response to an intentional outcome.

THINKING IS COMMUNICATION … COMMUNICATION IS THINKING

So we’ve now come full circle …

We are virtually always acting on the symbolic representations of reality we create from our sensorial experiences. The manipulation of symbolic representation is what we call thinking. Thinking in this way, as symbolic manipulation, operates as a communication process in terms of the use, interactions, applications, and manipulations of symbols, e.g.: words … i.e.: thinking is communication.

In addition to words, symbols can also be communicated in any sensory form we are capable of processing, e.g.: the modalities of the 7-tuple. We are capable of, and do, process symbolic form internally as intra-systemic cognition (processing of information that is self-generated – our own internal thoughts) and inter-systemic cognition (the processing of information that is externally present to us). We can also make a case for inter-subjective cognition as being processed in the space we share with others in simultaneity.

However, what I’ve come to treat as most significant is the communication process itself. I have seen that when you learn to communicate with an exquisite level of clarity and precision internally and inter-personally your ability to express elite levels of performance follows inevitably.

What I mean by elite levels of performance is the ability to consistently maximize positive consequences and minimize negative consequences in the manifestation of your desired outcomes. When you are expressing elite levels of performance, most typically from a flow state or your State of Perfection, you create the outcomes you desire with the minimal cost of time, energy, and resources, including your personal goodwill. We refer to this way of performing as “effortless” in the sense that you proceed through the process of perception, decision-making, action-taking, and adapting that cycle iteratively based on the feedback you get from taking action without any undue urgency, stress, anxiety or conflict.

From the outside looking in, the outcomes you produce when you are operating in alignment with your State of Perfection being and remaining intact appears effortless, and you experience it as being effortless as well, .

When you communicate with others you are expressing your thinking, and they experience your thinking as a process or their own thinking … i.e.: communication is thinking.

Therefore as I consider where I bring the highest value to my clients I realize over and over again it resides in the way I help them recognize the quality of their communication, with themselves and with others, and to refine it to higher levels of quality.

People who work with me begin to recognize the inconsistencies in their thinking and communication processes and begin to experience significant changes in their life as they improve their ability to think and communicate exquisitely.

If you’re serious about wanting to experience the state of flow, effortless performance and the kind of exquisite thinking and communication I’m referring to here let’s find a time to chat.

In the meantime I’d love to read your thoughts and open a channel to exchange our observations and considerations as you have them too.


Best,

Joseph Riggio, Ph.D.
Sarasota, FL

1000 Days of Training …

1000 Days of Training …

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My journey to becoming a Master NLP™ Trainer … and, the Architect & Designer of the MythoSelf Process and SomaSemantics

“Uchi-deshi” … that’s probably a meaningless phrase to you, unless you are a dedicated martial artist, and have hung around the martial arts world for some time, especially the Japanese arts, like Judo or Aikido.

The phrase, Uchi-deshi, closely translated into English would be “inside student,” referring to a dedicated student of the martial arts who lives in the dojo, commits to a full-time practice in the art they are studying, and takes on responsibilities to the dojo’s master teacher and to service in the upkeep and care of the dojo too.

What’s amazing is that these students not only work in the dojo, cleaning, doing minor chores, maintenance, acting as an assistant to the master, and often taking on some of the teaching role for other more junior students as well … they often pay for the privilege of being an Uchi-deshi, and must be able to support themselves financially and independently while in such an apprentice relationship.

I bring this all up because it’s the closest I can come to the apprentice model I experienced with Roye, my mentor and master, while studying the arts of NLP and Roye’s “Generative Imprint” model with him. For seven years I spent the better part of 40 weeks a year attending training programs with Roye, or assisting him when he was working with clients, and often picking him up at the airport or running to the bank to take care of something for him. It was a grueling schedule because my cost for this much training was in the range of $100K/year, plus travel and housing (there wasn’t any live in dojo to stay in, so lots of hotel rooms in addition to the few times I stayed on a sofa in Roye’s home), so I had to work full time, while also studying 8+ hours a day when I wasn’t actually in the consulting or training room with Roye.

Truth is … I wouldn’t trade day of those seven years for seven extra years of life.

There’s just no way I could be who I am today without having spent those seven years apprenticing in the manner in which I did … it was indeed grueling, often uncomfortable and discouraging, and there were many days I thought would be my last, but it was a privilege every day for those seven years.

I remember a particular moment about three months after meeting Roye for the first time, I had asked him to help me with something and he promised he would. I was confident that if Roye promised me that he could help me get something I wanted from training with him I would get it, but after weeks and weeks of waiting, and asking for it over and over, it seemed I wasn’t getting any closer to having it. So I waited some more.

This went on for months, and finally I decided if he wasn’t going to help me I would just get on with it and figure it out for myself, in fact I decided I was done with Roye, and after I completed the commitment to getting my NLP™ Master Facilitator certification with him I was out of there. So I kept at it, showing up, doing the homework, reading prodigiously in NLP, linguistics, philosophy, psychology and cognitive science, averaging a least a book a week, and in some weeks three books. I spend hours every day writing and reviewing my notes too. And, Roye would hand out what he referred to as “hypno-hymnals,” hypnotic scripts that he work on personalizing for me, with me, going back and forth using fax machines to share what I’d written and then incorporating his hand written notes in the margins back into the script that he’d send me back. I must have done this with hundreds of pages of these ‘hymnals’ over just that first year with Roye.

Suddenly, on a Sunday afternoon or a three-day workshop with Roye, sitting in the circle with him, I asked my question again, after Roye ran his typical routine of going around to everyone in the room and asking, “What do you want?” focusing us to think about why we were there that day, and what we wanted from it. When it came to me, I once again asked for the same thing I’d been asking for over the past few months, not expecting anything different than what I’d already gotten in regard to this request … nothing!

Roye did nothing to disappoint me either, because he simply acknowledged my request as he had every other time I made it, and then moved on to the next person. As expected there wasn’t any lightening from the heavens, nor some internal seismic event, just another day in the “hypnotorium” … Roye’s term for the space he set up to doing training in with his students and clients. Yet, sometime later that day, after lunch, Roye was working with a client in front of the room and did something that made what I’d been asking for over the many months since I began studying with him become crystalline clear and obvious … and, I swear to this day he subtly glanced in my direction to see if I’d picked it up. I was dazed and in awe, one of the very few times in my life I was truly speechless, because I realized in that moment that he’d shown me that very thing probably hundreds of times since I’d first asked!

Roye wasn’t holding back at all … I was just incapable of getting what he was offering until I’d seen it again and again, and again. When I finally saw it, it was as though dark scales blinding me had dropped from my eyes, and for the first time I could see the world clearly. Not only did I see what Roye had done, exactly and precisely what I had been asking him to demonstrate for me, but a thousand other things he’d been doing over those same months I’d been waiting for this moment became clear to me as well.

That was the beginning of my humbling. I have to admit prior to that moment I pretty much acted like an arrogant asshole, thinking I knew much more than I did, feeling somehow better than my peers who were so slow in picking this stuff up from my short-sighted observations. In that moment of revelation I realized how little I knew, and for the first time grasped some idea of how deep the rabbit hole I climbed into when I entered the hypnotorium went … a lot further down than I could see from where I was standing was about the only thing I was sure of that day.

Well, obviously, since I’m telling you this story, I didn’t quit, in fact that’s when I doubled down and committed to being available for every weekend, every workshop and anything that Roye would open up to me. I also began making time to join training with Richard Bandler whenever I could, and other famous (to me) NLP™ Trainers like John Grinder and Robert Dilts … I went everywhere and saw everyone, including some of the most famous hypnotists I could catch up with whenever possible. Not a week went by where I wasn’t reading two or three books simultaneously and spending hours on bulletin boards in the early Internet days. I was in … hook, line and sinker, a fish out of water, determined to master the art of swimming … even if that meant upstream and against the current until I got it.

As I said already, that was the start of a seven year apprenticeship with Roye, one I’m eternally grateful to him making available to me … even though I believed I earned every opportunity given to me, with my sweat, blood and tears offered up as payment in full. That was in the late 1980s, and my the early 1990s I was working full time as an NLP™ Trainer and Consulting, working with sales teams internationally, and eventually working my way up to the C-Suite doing leadership development workshops and coaching senior executives for multinational corporate clients.

There was a famous SNL (Saturday Night Live) skit in the early days of that television show, where the comedian Garrett Morris played the baseball player Chico Escuela. In that skit Chico would say, “Baseball been berry, berry good to me.” mimicking the real live MLB player, Sammy Sosa’s Dominican accent. It was a funny skit that stuck with me, and I often think in the privacy of my own mind, “NLP been berry, berry good to me.”

I liken my journey so far to a kid who began playing sandlot baseball, one of millions, who makes it onto a Little League team, maybe one of ten to make that transition from the sandlot successfully. And, then moving along getting on a high school team and then a college team, leaving behind may as many as 10,000 of the kids who all began throwing baseball around with their friends, or if they were lucky enough, playing catch with a father who showed them how throw a baseball properly. Finally, one of a 1000 of those college players makes it through the minor leagues and into MLB, getting drafted by a team who give them a shot, and if they are good enough they then get the honor of entering baseball’s Hall of Fame, maybe one of a million or more.

I’m one of those lucky guys who’s been given the opportunity to do what so many others who picked up a book and read about hypnosis or NLP or coaching, and then found someone to take a class with, and maybe finished a certification program of some kind and even started a part-time practice, hoped to achieve. I’ve traveled around the world training some of the very top, elite performers in every field of excellence, and I’ve been paid very well to do it … enjoying what I so often refer to as a magical life. I know it all began when I stumbled across an ad to go to a single 3-day training on the old Blue Dell Farm, in Pemberton, NJ, where Roye had set up his hypnotorium, and I made that first phone call to find up more about it.

Ever since then I’ve been saying that life has been “… berry, berry good to me.”

All the best,

Joseph Riggio, Ph.D.
Architect & Designer of the MythoSelf Process and SomaSemantics

P.S. – I’ve trained just a handful of folks in my version of taking on apprentices like Roye invited me to be with him, at least two of them picked up their roots and moved to live close to where I was living at the time to have that kind of access, another couple I can think of just came to anything and everything I was doing until they absorbed enough of what was going on to claim mastery themselves, and at least one of these folks lived with me as a housemate for a while literally pestering me in daily conversations and dialogue, and picking up everything … almost by osmosis you could say.

I don’t really have a formal program for Uchi-deshi, nor can you come and live me, but I am opening a very limited and small window for anyone who thinks they might want to explore engaging in an intimate mentoring relationship to master the art of transformational change with me. I have “graduated” the last of the group I’d been working with in this way, and I’m ready to work with a few more folks who are up to the commitment to becoming one of the best there’s ever been … because not only do I think of the folks who have studied with me this way, but their reputations now precede them as the master’s they’ve become (if you are interested I’m happy to set it up for you to speak with a few of them to help you decide after we speak and agree that it might make sense for you to drink the potion Alice found, and enter the warren for a while …

Just go here to arrange an appointment … https://live.vcita.com/site/josephriggio/online-scheduling?service=k1zlmegpqkoykvri

NOTE: This link will only be available for a limited time, so if you’re interested schedule a time now. I reserve the right to cancel this opportunity at any time without notice, but I trust if the student is ready …

Living Mythically

Living Mythically

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Living Mythically … Taking Control Of Your Story

From the beginning of my professional practice I referred to what I do with clients as “a piece of work” and suggest to my clients do their work. There’s a bit of danger phrasing thing in this way, in that “work” is often heard and thought of as negative, something that’s hard or difficult, or as something in opposition to fun and play, something that’s not enjoyable. And, yet I think that to be a very small minded and limited point of view, that only applied to work you should never be doing in the first place.

My “work” is aiming my clients to live and perform in their lives mythically. By living mythically I mean taking control of their autobiographical narrative, or writing the scripts they live by, their own life story. There’s nothing I find more playful, enjoyable and worthwhile than doing this work, yet it can be challenging and sometimes downright daunting, and even then it remains completely playful, engaging and fun for me to do.

Establishing A New Profession …

Another way I speak of what I do professionally in my practice with clients is that I am a “Clinical Mythologist.” I guide my clients mythologically to discover the stories they have been living from, the story they are living, and the story they are living into. Once we uncover these stories we take it further to begin to take control of the narrative these stories create collectively … the continuity of past, present and future as a singular way of understanding who you are fundamentally. This is an “ontological/ aesthetic” way of knowing yourself … as a being experience life sensually, contained in the iconic, symbolic representations you form about yourself and your life. One way we do this is in the form of language, the language we use with and about ourselves, and the language we use to describe reality as we know it, including others and our relationships with them.

A “piece of work” then refers to uncovering an aspect of revealing the autobiographical narrative someone is living from, and the affect of that narrative in their life as a mythic form. Of course this also means we’re revealing them to themselves. The revelations we uncover are both ill-formed and well-formed.

Ill-Formed Or Well-Formed Personal Mythology?

Ill-formed myths are fundamentally distortions of reality, not real in some way. Ill-formed myths disconnect you from your life, especially in regard to your purpose, passion and power, and away from living playfully. The ill-formedness creates cognitive dissonance, meaning that when you are operating from ill-formedness what you experience doesn’t make sense, the pieces don’t fit and you cannot form a coherent narrative, or mythic form through time.

Ill-formedness in your personal mythology … the autobiographical narrative your living from that describes reality as you know it and the way you relate to it … leads to what I call mythological distress and ultimately mythological crisis … the story your living doesn’t fit you.

Eventually, an ill-formed personal mythology will lead to ill-formed behaviors, that cannot and will not create the outcomes you desired, or produce the life you intend to be living, the relationships you want to be having, the accomplishments you want to be realizing.

Well-formed myths on the other hand are those that match you intrinsically, the arise from deep within you, before any traumas or comprises of yourself were experienced or occurred. A well-formed personal mythology contains and describes reality as you know it to be as free of distortions as you are capable of achieving. This view of reality leads to coherence that led to a a natural sense of awe and wonder, and a way of being in the world that is playful, childlike but not childish.

Wellformedness in your personal mythology opens you to the possibility of living a life of joy and splendor, experiencing yourself and others in enchanted and enchanting ways … you begin to experience the epiphany or what it means to be fully human and fully alive … life becomes meaningful play, filled with purpose, passion and power without struggle, effort or compromise.

Taking Control Of Your Story, And Your Life

What I’ve found in working with thousands of clients individually, in groups and within organizations and institutions has been that doing the work of living mythologically requires simultaneously becoming aware of your autobiographical narrative and taking control of it. The way this happens begins with choosing to be the author of the scripts you are living from, and rejecting the scripts that others have imposed upon you … often without any conscious awareness that that has happened, or that the script you are running is not your own.

The “writing” of your story, and the scripts you run, rests on the ways in which you perceive and make sense of the experiences you have, the meaning you apply to those experiences, and the decisions you make that lead to the action you take … and, this of course leads to the outcomes your create, as well as those you don’t.

As one of the huge benefits of “doing your work” of uncovering, revealing and taking control of your personal mythology you’ll free yourself from the ways you found yourself stuck in the past … procrastinating, hesitating to act, acting poorly, running in circles and finding yourself trying everything and anything you can think of to move forward, and yet still finding your stuck either not moving or moving and winding up where you began.

I’ve worked often and intensely with clients helping them to get unstuck in many ways and places in their lives, including extremely often in the ways they relate to others in their personal and professional relationships. When you reset your personal mythology it frees you from conflict, resentment, envy, shame, guilt and all the other things that so many people struggle with … without ever needing to wade through the suffering of revisiting those emotional sinkholes.

I find another thing that comes up almost as often can be the way that you relate to your sense of discovering real purpose and meaning in your life and career. Knowing you personal mythology makes how what you do professionally evident to you, the meaning it has in your life, and in relation to others too. Passion come from knowing why you are doing what you do, regardless whether we’re talking about actions you take personally for yourself and with others, or professionally. One of the most powerful things this does for you will be a natural reset of your relationship with money … earning it, accumulating it, spending it and sharing it as well.

It’s also extremely interesting to observe how my clients experience a positive change in their health, physically, mentally, emotionally and even spiritually, when the take back control of their autobiographical narrative. When you choose to be the author of the stories of your life … what they are, what they mean, and how they organize you to experience your life as it unfolds and you move forward through it … everything becomes clear to you and you have choices about it all, including how those experiences affect your health and wellbeing.

You cannot not live in relation to your life’s story, the autobiographical narrative that shapes and forms you, your experiences, your relationships and the life you are living. Either you choose to take control of your personal mythology, the story you are living, or you are controlled by it.

What’s Next …

As I shared with you at the beginning I love “doing my work” … shaping the story I’m living and sharing my client’s stories, because by keeping my attention here I can help you “do your work” too, and become the author of your life. Let’s get together sometime and tell some stories, eh?

Joseph Riggio, Ph.D.
Architect & Designer of the MythoSelf Process and SomaSemantics

Sarasota, Florida

P.S. – WHEN YOU’RE READY … you can always set up a time to arrange a complimentary call with me when you’re ready to begin again … YES, Joseph I’m Ready, let’s get together to explore my personal mythology and the life story I’m living.

P.P.S. – Get my book “Experiencing the Hero’s Journey” and go a bit deeper into the journey of your story by reading a bit about mine … in it I reveal the deep structure of ill-formedness, well-formedness and how to discover your own personal mythology and story.

“I”Am A Narrative

“I”Am A Narrative

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Searching for the Self …

Probably since we first became self-aware humans have been exploring and attempting to make sense of the concept of the self, or the “I.”

Maybe these times more than any other in recent history demand that we achieve the self awareness necessary to process reality as it is … and not as we hope for it to be …

Modern cognitive neuroscience suggests that the “I” must be a function of neurological interactions happening deep in the brain, most of which are occurring at a pre-conscious level of awareness. These interactions are a function of neuronal functions and synaptic connections that happen as a result of what can generally be called learning.*

Exposure and interaction with the external world form patterns that become imprinted in the brain in a process called myelination. These interactions include the sense of self that arises as physical awareness of one’s being, largely experienced and organized in the cerebellum. My sense of this process is that “rear brain” cerebellar processing interacts with “front brain” neocortical processing to create an awareness that forms the self we know ourselves to be.

A neuroscientist, Dr. Masao Ito at the Riken Brain Science Institute in Japan, suggests that it is the cerebellar processing that forms what he referred to as the “implicit sense of self.” In fact, these particular interactions that form the implicit sense of self, or the awareness of the “I” are a kind of recursive, infinite loop that regress upon itself, until only the representation of the “I” remains on the internal screen of our mind as an absolute representation that seems immutable. Yet we also know at another level that this “sense of self’ changes through time.

Essentially I interpret this thinking about the “I” that I know myself to be as a set of neurological interactions as a pattern held intact around a central conception that has many representations that have varied over time. The “I” I know myself to have been at say 7 or 8 years old, doesn’t not correlate in a one to one, isomorphic way with the “I” I know myself to be today. Yet that earlier “I” of 7 or 8 I do know to be a representation of myself from another time.

The kind of variation of my sense of myself as “I” has many forms that are equally me, at points in time that can vary by years or decades, or for that matter minutes or maybe even seconds, as when a particularly strong emotion overtakes me and changes my sense of myself seemingly instantaneously. Yet, some core sense of self, i.e.: “this is me,” remains throughout the varied representations I have as I experience them through time.

The Narrative Of The Self

This “sense of self” as I’m referring to it is contained in narrative, where narrative is the sequencing of events within events as they unfold, e.g.: this happens then that happens … and so on. It could also be languaged as, “this happened, then that happened” or “this happened, then this is happening” or even, “this happened, now this is happening, and then that will happen” so time becomes flexible within narrative.

Also, time isn’t limited to progressing from past to future in narrative, e.g.: because I know that this will happen, I remember that happening, and now this is happening, where the placement in time can be freely moved between moments, in the past, present or future, in any ordering so chosen by the narrator/author. Entire events can disregard any point in time in narrative such that every that has occurred, is occurring or will occur, is the only time referenced.

For each consideration of time, events also need some place to occur as well, e.g.: that happened there, this is happening here, and what will happen will be felt both here and there. This confluence of space and time, is a space-time moment, which I’ll call a “moment” for simplicity, meaning that a “moment” is a reference to a specific space-time where the event in a narrative happened, is happening or will happen.

In any moment each of us has a sense of self that we reference as our “I”… the “I” … or more concisely, simply “I.” Each of the “I”s I experience is considered within the context of the narrative that I hold about the event and the moment within which it occurs. Let me make this clear about the universality of what I am saying to include the event of just thinking about my “I” … for example, who “I” am, or who am “I” … such that there is no experience of self that does not happen as a moment in the narrative.

Since the “I” remains malleable in regard to the moment in which the “I” engages in action in the world, the question of which “I” has the experience comes up as a natural consequence of this understanding. Furthermore, the “I” that has the experience also determines the actions that I take, and the outcomes I produce (including of course not producing an outcome that I intend).

Given all of this, it makes it essential to have some sense of the “I” that would be most likely to haven the experience I want to be having, as well as the “I” most likely to produce the outcomes I intend. Or stated differently, what narrative most likely supports my having the experience I want to be having, and producing the outcomes I intend?

Another, maybe more direct and simple way to consider all of this could be stated as …

The narrative I am holding and operating from determines the experiences I have as well as the outcomes I produce, so in taking control of my self narrative I can direct both the experiences I want to be having and the outcomes I want to be producing.

Fortunately for us we are organized innately to understand narrative, and we posses an innate skill in both responding to and creating narrative on the fly. This of course doesn’t mean we all do this as well as any other, any more than suggesting that we all walk, run or swim as effectively as any other person, but yet possess the innate ability to do these things naturally given the opportunity to do so.

Also, like walking, running and swimming we possess the ability to increase and improve our knowledge, skill and performace in responding to and creating narrative. This suggests that we have an ability to notice for what narrative we are experiencing and responding to with greater facility and effectiveness in regard to producing our intended outcomes, and the ability to increase our facility and effectiveness at creating narratives that are better suited to allowing us to have the experiences we most desire and, those we use in producing our intended outcomes.

Another way to refer to the self narrative form is by the phase “autobiographical narrative,” in this case this refers to the self narrative told by you, about you, to yourself, and to others as you choose. The autobiographical narrative is your “life story” … the way you represent who you have been, who you are and who you will become in narrative form.

If we accept these premises as true for us, then the ability to know you life story can be seen as critical to your self awareness, and more importantly to how you are directing yourself to have your experiences and, how you will respond to events and create the outcomes you do, or fail to do.

Building The Critical Narrative

The narrative you hold as your life story, the autobiographical narrative, is the key to organizing what I call the Ladder of Perception …

  • Perception
  • Sense Making
  • Meaning Making
  • Decision Making
  • ACTION! –> Results/Outcomes

We know the world, and our experience of the events that occur, as a function of who we know ourselves to be in relation to them. This begins with whether or not we even perceive them to begin with, i.e.: we have awareness of the event/s past the threshold of our sensory system processing them for sense making and meaning making.

There are perceptions that occur below the threshold of awareness … i.e.: we are present to the sensorial data, but what we perceive sensorially never reach the level of stimulation necessary for us to become consciously aware that we are perceiving the sensorial stimuli. Yet this transformation from simple impressions in our sensory system, to which we may be responding in a reflexive ways, never make it to the level of conscious processing, i.e.: they remain out of our conscious awareness.

For example many of our phyisological homeostasis responses operate in relation to external, environmental stimuli that we never become aware consciously until they exceed our thresholds of familiarity, comfort, priming , or targeting. Specifically, we can use the sense of temperature changes that we respond to almost instantly via our internal regulation system, keeping our core temperature steady, yet until the range of temperature change exceeds the threshold of comfort we remain largely unaware of these changes happening.

Familiarity and comfort remain largely out of our conscious awareness until these thresholds are breached, e.g.: how salty our food actually is when served and tasted. Yet both priming and targeting can influence the threshold levels we experience. For instance if we are specifically tasting food for the level of salt it contains we become much more sensitive to the taste impression of saltiness. The same is true if we are testing the ambient temperature, say with an intention to dress appropriately.

These threshold conditions are primed in part by the autobiographical narrative we hold, i.e.: how we know ourselves to be in relation to the events we experience. This tends to be especially true in regard to how we experience the “other” … those people we interact with in our lives.

We can build the experience of others into our life story in one way by categorizing people we know as well as those we don’t … e.g.: family, intimate/close friends, casual friends, acquaintances, strangers … enemies. As soon as we fit someone into a category our sense of them (in relation to ourselves, as well as who they are independently of us) becomes influenced by the category into which we’ve placed them.

This example of categorizing people as a reflection of our life story then runs into our ability to make sense of someone immediately upon recognizing them (perception –> sense making), and then almost as immediately making decisions about how to respond to their presence (sense making –> decision making). This in turn determines our response to them (ACTION!) and their response to our response (results/outcomes).

These loops then reinforce or diminish our sense of the validity of our life story as an accurate representation of reality. So for us, reality and the story we tell ourselves and others about it are the same. This remains true for us even when the evidence we’re confronted with presents a contrary view.

Dealing With The Cost Of “Truth”

When confronted with evidence contrary to our life story we typically experience extreme cognitive dissonance, leading to immediate rejection and avoidance in most people. I’d argue that only those who have specifically trained for dealing with cognitive dissonance when it arises in any other way fall into the trap of rejection and avoidance that allows them to keep their pre-existing life story intact.

You pay the cost of failing to produce the results and outcomes you expect, intend and desire … acting insanely, i.e.: being incapable of any action related to what is real beyond your projections of self … when you are living from, and operating in relation to, a life story that rejects and avoids contrary evidence.

Philosophers call this way of thinking and acting “solipsism” …

sol·ip·sism/ˈsäləpˌsizəm/ noun

  1. the view or theory that the self is all that can be known to exist.

Psychologically a solipsistic personality exhibits Solipsism Syndrome …

Solipsism syndrome refers to a psychological state in which a person feels that reality is not external to their mind. Periods of extended isolation may predispose people to this condition.

In my experience a large portion of my clients experience either periods of solipsism or respond solipsistically to events in their lives that are contextually driven. I’ve especially seen this when people are going through periods of personal and/or social transition. This prevents them from exiting the loop they find themselves in, where they seem unable to move beyond what limits them, often despite previous success (even in the same domain of consideration).

These folks seem categorically unable to process that “This isn’t That” … or the need to frame what they are experiencing in relation to their pre-existing life story, and the contextual framing represented by it. Their life story has become impenetrable in relation to whatever they are confronting that limits them.

Making the shift that allows your life story to be more porous and permeable in regard to what you confront that leads to a sense of cognitive dissonance provides both relief to the discomfort that leads ordinary folks to rejection and avoidance, and also a way to update your life story to encompass a greater range of possibilities in regard to creating results and outcomes … on your own and with others.

Helping clients make this shift is the primary thing I do … in my webinars and programs, in my 1-to-1 Private Work work with clients, in MythoSelf Process training and mentoring … essentially, I’m all (and to some degree “only” about) helping people to become aware of their life story, how it drives them, and showing them how to modify and update it.

While there may be a million and one ways to tap into the power of your life story, and what could be possible when you update it to more closely reflect reality “as it is” and not “how you want it to be” my singular approach aims at developing profound cognitive adaptability and maturity as personal developmental evolution to achieve new levels of awareness and personal performance. I call this approach the MythoSelf Process, and now you know a bit more about it too.

Joseph Riggio, Ph.D.
Architect & Designed of the MythoSelf Process and SomaSemantics
Sarasota, Florida

P.S. – If you’d like to arrange a time to explore and discuss working with me privately or joining one of my programs, including the upcoming 2021 MythoSelf Certification programs let’s chat about it …

Schedule A Complimentary Call With Joseph Here

If you’d prefer you can start by requesting more information about the upcoming 2021 MythoSelf Professional Training and Certification Programs …

2021 MythoSelf Professional Training and Certification Programs Info HERE

*NOTE: I dealt extensively with explaining the process of learning, presented as the concept of “wholeform learning” … what others might prefer to refer to as “natural learning” … in my book, “Experiencing The Hero’s Journey” available at Amazon and other booksellers.

Changing Minds …

Changing Minds …

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Escaping The Matrix

“Remember … there is no spoon.”

(Author’s Note: This one is going to go deep fast, and then loop around a bit, all requiring some commitment, probably demanding a few readings, but I bet it will be worth many readings after you’ve read it once … ENJOY!)

Take A Walk With Me On The Wild Side of POWER | CREATIVITY | INFLUENCE

For thirty years I’ve been working with clients personally and professionally helping them become more:

  • Powerful in their lives, i.e.: able to take the action that leads to the results and outcomes they intend
  • Creative in how they approach thinking and decision-making, with an aim at helping them become more adaptable and artful in acting strategically
  • Influential in their interactions, becoming masterful at communicating authentically and persuasively to engage, enroll and empower others

This is ultimately about how you can develop deep personal mastery so you can create the life you want to be living … a life lived on your own terms, without compromise.

So if you’re ready walk with me for a bit and we’ll explore the journey I’ve take to where I am today in the work I do.

A Little Background:

In the early 1980s I began developing a model of thinking about thinking, or more specifically thinking about how to improve thinking, that I called “Transformational Applied Philosophy” … T.A.P.

I named what I was working on Transformational Applied Philosophy because I was focused on building a phenomenologically grounded model of transformational ontological change, designed around the work of a few philosophers I was reading deeply at the time.

The philosophers I was reading at the time included: Georg Wilhelm Fredrich Hegel (post-kantian logic and phenomenology), Edmund Husserl (existential phenomenology), Arthur Schopenhauer (aesthetic existentialism), Martin Heidegger (existential ontology), Maurice Merleau-Ponty (embodied ontological existentialism), Ludwig Wittgenstein (metaphysics and analytic philosophy of language), and John Searle (analytic and linguistic philosophy/philosophy of mind).

Then I went on and found a few more philosophers who I added to the mix of my reading, social ontologists like Gilles Deleuze, a couple of the hermeneutic philosophers like Jurgen Habermas and Hans-Georg Gadamer, and those in the domain of philosphy of mind, neurophilosophy, cognition and embodiment like Patricia Churchland and, George Lakoff and Mark Johnson.

All of that reading was significant because philosophy has been informing people about how to live their lives well, to find a path of authenticity and purpose. Reading philosophy can be challenging, it dense and sometimes very dry too. And, one thing literally leads to another … and another, and another … ad infinitum, until you’ve read the entire canon of Western Philosophy at least (which of course I haven’t, and neither has anyone I know of, but some professional philosophers sure seem to have read 90% of it!).

I still read philosophy actively, more of the later kind … philosophy of mind, cognitive science and neurophilosophy … and this forms a great deal of my background, and current focus, about how I think about thinking, and help others to think better … i.e.: with greater clarity and more precision, leading to a dramatic increase in the ability to think with passion and strategically.

My realization was that while approaching my work with clients philosophically had great and deep value, what I am aiming at required something more than what staying just in the domain of philosophy offers me and my clients.

Going Beyond The Basics

When I found them I fell in love with informal logic and embodiment. This was especially true as the embodiment movement led through the extended mind phase led by Humberto Maturana and Francisco Varela’s work (following Gregory Bateson), and evolved to an understanding enactivism/enactment, where the premise is that the mind exists in the interaction with the environment. Quite literally the environment, and the objects in it, the total context, is as much a part of the mind of the individual as the individual’s neural processing and physical/sensory experience.

So I began to look more and more into the domain of somatics and folks from F.M. Alexander to Moshe Feldenkrais to Thomas Hanna. That took me deep for many years, way into anatomy, physiology, and eventually into neuroscience too. But, because I was led there by an interest in the idea of undifferentiated body-mind singularity my focus for about five years centered on studying cerebellar response where movement predominates thinking, proprioception and vestibulation.

HEY, PLEASE STAY WITH ME … WE’RE GETTING THERE …

Somehow this stuff made sense to me as a set of intertwined connections linking and weaving it all together, especially when I began looking at it through the lens of narrative and mythology, and the structure of storytelling.

This phase of my work was deeply grounded in studying the work of Joseph Campbell, the renowned mythologist, and his “Hero’s Journey” model. There’s no way you can do this and avoid looking at the work of many other folks in related fields from psychology (e.g.: Carl Jung) to ethology (Konrad Lorenz) and anthropology (e.g.: Gregory Bateson), linking what I call the biological imperative with the creative imperative, leading to an aesthetic orientation.

Sometime in the late 1990s I was introduced to the work of Clare W. Graves, the developmental social pyschologist. Dr. Graves work impacted my thinking on many levels and shifted the framework of the model I been developing for almost ten years by that point. For the next ten years I would study the work of the post-autonomous, post-conventional developmentalists including Jane Loevinger, Susanne Cook-Greuter, and William Torbert.

OKAY, WE’RE THERE!!! (WELL ALMOST THIS TIME, REALLY …)

Mythological Expressions

By the early 1990s I’d begun referring to my model as “The Mythogenic Self Process” which became the “MythoSelf Process” by around 1994.

That was because of the impact of Joseph Campbell on my work. Adding up all the pieces led me to take a mythological turn, or what I think of equally as a narrative turn. I began to realize that our entire relationship to reality is structured like story, i.e.: in narrative or mythic form.

I’d moved well beyond the limited philosophical approach I’d begun thinking was the way to achieve significant transformational change with clients.

The way I approached transformation early on was based on a premise that the way we hold and process information in our brains as the manipulation of representations, both sensory memories and/or abstractions. That’s why I became (and to some extent remain) so fascinated with a philosophical approach. This approach has great validity when dealing with the cognitive process of making sense of and manipulating information, e.g.: language.

What was missing were the two elements that have become the signature pieces of the MythoSelf Process, sensorial cognition and dynamic movement. When I added these to using a narrative approach to uncovering the mythic form of the frame of reference that holds reality intact for an individual or organization, i.e.: the externalized temporally organized markers that are then internalized and acted upon, it all came together … finally!

(FWIW, I know this all very technical sounding, but I warned you up front this was going to take some commitment, but that it would be worth it, right? BTW, you can ask me about anything you want me to clarify in the comments section below.)

By 1999 I’d already begun training and certifying others to use the model and process I’d designed with great success.

For the next twenty years I’d continue to develop and refine the work I’d designed, and extended the reach of applications from sales and leadership training, to executive coaching, to team development, to intensive individual coaching, to mentoring coaches and consultants to use the model and process with client groups in virtually every specialization imaginable and with clients from eight to over eighty years of age.

What I had in hand was …

An aesthetically oriented, phenomenologically grounded and embodied model of transformational ontological changework that took into account developmental levels of awareness engaging the mythological form that supported the fundamental autobiographical narrative from which individuals and groups define reality as they know it to be in any given moment, operating it enactively.

WOW!!!

That’s surely a mouthful (and why I just refer to it simply as the MythoSelf Process model).

To get what it really is we’re dealing with all of that is actually essential. What makes this so strange to consider however is the typical orientation to reductionism, silos and linear thinking versus synthesis, integration and systemic thinking.

BUT … you can’t deal with dynamic complex systems, e.g.: human systems, without addressing the reality of that they are in fact dynamic complex systems!

The model of transformational changework I built, the MythoSelf Model, then is a model that shifts the fundamental way you perceive, think about and act in the world.

What’s at the center of the model is the shift in thinking from linear to systemic, and from fuzzy to precise. This requires a whole new way of using your brain than most people have ever experienced, one that is both more integrated and, far more embodied and wholeform than your education has ever made available for you to access.

Two other aspects of using your brain in this way is how embodied the experience becomes as you being thinking through and with body-based processing (somatically organized) as well as mentally-based processing (semantically organized) as an enfolded and entwined processing model of thought … and, how sensual and aesthetic this way of thinking is organized. When using the MythoSelf Process model as the basis of how you experience, perceive, process and act in the world aiming for beauty and elegance in form becomes a most sought for characteristic. Essentially this drives sensuality into decision making and performance (strategic action aimed at an intended outcome), making them beautiful as well.

Storytelling & Narrative Communication As A Control System

Way back when … virtually at the same time I began this journey from my study of the philosophers I’ve already mentioned, I also was beginning to read in the field of cybernetics, and cybernetic control systems based in communication.

I felt from the start that there was a direct correlation between what I was reading in cybernetic theory and the work I wanted to master in helping individuals and organizations make transformational changes. What I couldn’t put together was the mathematical orientation of many of the cybernetic thinkers I was studying at the time and how to apply them directly to helping people make the changes they desired.

The idea of systems that provided and operated on feedback made perfect sense, yet the mechanism of how to apply this directly with my clients eluded me for many years. It took the connection between mythological form/narrative and developmental theory to make sense of it as I now have and apply in my work with clients.

While the idea of a primary cybernetically organized mechanism to assist clients to make change made perfect sense, the specific methodology was a bit trickier to fully explicate and define.

When I brought together all of the systemic work I had been doing with individuals and organizations, as well as the mechanism of mythological form/narrative applied within a developmentally organized approach, it all became very clear that what I knew was working could be codified.

Stories are intrinsically cybernetic in the sense that they are self-contained systems. In stories language “controls” the movement of the narrative in terms of content, space as place, and temporality.

Where someone perceives themselves in space and time relative to the content in consideration determines what the content represents to and for them, and what’s possible as a result.

Narrative structure is based in organizing temporally, and placing actors and agents in relation to one another relatively in space, i.e.: who’s affected by the events that happen and how, where the events are happening, as well as when the events happen, are all part of narrative structure.

Organizing the stories we tell ourselves and others, as well as the stories others tell … especially those they tell about us … are all part of the mythic form of our life that organizes who we know ourselves to be in relation to reality as we know it to be.

Therefore the most powerful skill we can possess may be our ability to design, craft and tell potent stories … in storytelling we contain POWER | CREATIVITY | INFLUENCE simultaneously. When we tell stories intentionally, to ourselves or others, we shape and reshape reality as we know it, and in regard to how we relate to it.

Transformational storytelling sits at the heart and soul of the MythoSelf Process model. Storytelling is the essential and central skill that allows someone to create a future possibility that doesn’t exist for them as they are today. Using stories also opens up the possibility of shifting away from those things that limit an individual or organization.

I’ve designed the MythoSelf Process to allow facilitators of the Process to help clients make significant shifts towards what they want, as they simultaneously reset their relationship to what had been limiting them in the past, using narrative form as a means of updating their personal mythology.

Using a wholeform approach that takes into account sensorial and dynamic movement processing, as well as content driven sense-making, meaning-making and decision-making, defines the MythoSelf Process more than just a narrative or storytelling methodology as they are normally approached.

The MythoSelf Process creates a new wholeform reality by blending somatic and semantic modeling within a narrative, storytelling process that resets the temporal and spatial relationship of a client to the future-based position they intend to achieve.

Holding The Space For Clients Until They Can Hold It For Themselves

The new wholeform reality created by combining somatic and semantic modeling using a narrative, storytelling approach shifts the filters of perception and the sorting patterns that lead to sense-making, meaning-making and decision-making that precede taking action that produced the results that lead to achieving outcomes.

Only when an individual’s or organization’s filters and sorting patterns are fully organized and aligned with the outcome that’s intended, will the trajectory of action create the results needed to achieve the outcome that’s desired.

By shifting the filters and sorting patterns to align with a newly intended future, the individual or organization shifts the way they are paying attention, what they notice for, and how they notice for it, as well as what it means, needed to create that future intended outcome. This amounts to stepping into and living a new story that forecasts and leads to a new emergent reality.

Like this, what to do becomes obvious, even when it requires significant work to accomplish. In this way, operating from within the new story structure, moving towards the new emergent reality becomes effortless … regardless of how challenging it may be to do what’s necessary.

As the agent of change, “I” was the primary mechanism I had been seeking, and the specific way I could organize myself in relation to my clients to assist them in bringing about the change they sought when they engaged me became instantly clear as well (although it’s taken me another ten years to document and codify it fully).

There are two aspects to applying the MythoSelf Process in the way I have been building up to and describing … first by establishing the stories that need to be told and re-told, and second by holding a position in relation to your client that demands they operate from the position they’ll be in when they achieve their outcome. Doing this requires understanding all the “science” part of what I’ve been laying out here, as well as the “art” of knowing how to step into and adopt the position of choice.

In this way bits and pieces of what your clients need to be aware of starts becoming obvious to them. As the become aware of what they need, they simultaneously become more able to hold the position they need for themselves where noticing in this way is automatic and natural for them (without needing you to provide the structure and stimulus to prompt them to hold this position).

Over time the new position, actually a new reality for them, becomes how they are without effort or trying, it’s quite literally who they become (with your help of course, until you don’t need to help anymore).

This is a radical departure from how most processes, approaches, methodologies and models of transformational change operate. In virtually every other way of prompting transformational change it’s what the change artist does with or to the client that makes the difference. In the MythoSelf Process model the way you are as you do what you do with or to the client is what makes all the difference.

“Holding the position” is a cybernetic process, and personal communication … including the art of storytelling … is the ultimate control function in the system.

Stories form the mechanism to provide the intervention, or interventions, required to shift the system so the individual can find a way to permanently occupy the new position of choice, opening the pathway to a new possibility, a new future, beyond what would have been possible before resetting the system to the new position created in the relationship between the client and the facilitator.

In the end becoming that person, the one who can hold the position necessary makes it all worthwhile to have done all the reading, study and the thousands of hours of client work required to know how to discover what to do and how to do it, and then to do it.

Best,

Joseph Riggio, Ph.D.
Architect & Designer of the MythoSelf Process

Sarasota, FL

P.S.: – If you would like to discuss the MythoSelf Process more, either as a coach or consultant … or, with the intention of exploring how experiencing the MythoSelf Work might help you personally … let’s talk, set up a complimentary consultation at your convenience: Schedule Time To Talk With Joseph Now

Further Down the Rabbit Hole …

Further Down the Rabbit Hole …

by ·

Imagine for a moment that you have entered a restaurant in a foreign city center … an amazing, beautiful and mysterious place … one that you were referred to be a local stranger you met in a cafe over a coffee earlier that day …

She recommended it because you asked in the course of your causal conversation if there were anything they thought you absolutely must do while visiting their city, and the only thing they insisted was essential if you wanted to have the experience of a lifetime as a visitor was to reserve a dining experience at the restaurant you’ve just entered.

As you continue to reflect on how you got here you recall a sense that the stranger was indeed strange, sublimely attractive in a way that no one would likely call beautiful in a trite runway or cover model way, but indeed beautiful in a deeply radiant way. In fact as you continue reminiscing about the exchange you recall you couldn’t take your eyes off her … no, that’s not right, you couldn’t take your eyes off her eyes, feeling like they were inviting into somewhere completely familiar and yet utterly unknown.

“May I Help You”

You are slightly startled by the maitre d’s voice as you suddenly recall where you are, and respond, “Yes, I have a reservation.” and give the maitre d your name, and he walks ahead, leading you to your table.

It is a small round table, clearly set and ready for two, yet you clearly said your reservation was for just one. The maitre d assures you that the reservation is for two, as this small adventure gets curiouser and curiouser, and you decided not to challenge his clearly incorrect assumption.

Shortly a waiter arrives at your beautifully set table … filling the crystal goblet in front of you with water. Sitting just to right of your water goblet is the most unique wine glass you’ve ever seen with an etched bowl depicting a hunter chasing what appears to be a deer or maybe an elk with a bow resting on a gold leafed stem. It is clearly a glass intended for a deep red wine, large and rounded, with a large opening for the wine to rise and open.

You ask for a menu, and the waiter just smiles and walks away, barely acknowledging your request. Within a minute another waiter returns with an appetizer, a small beef tartar, very traditional, decorated with a few sprigs of watercress. It’s literally perfect!!!

An Appetizer and More …

Tender … flavorful … just the right amount … and the crisped toast points compliment it ideally. But how did they know that beef tartare is both your favorite appetizer, and your “test” dish for a new restaurant if it’s on the menu???

Now you just decide to settle in and with the flow, expecting a entree will appear shortly as well. As you lean back in your chair, feeling the weight you’ve been carrying from the day drop away the original waiter arrives back at your table, and you realize he’s very well put together, groomed to a “T” and wearing an immaculate tuxedo, all the way to his perfectly white, white gloves.

Behind him is a second person to whom he hands you empty dish and utensils, and almost magically a bottle of a fifteen year old reserve brunello di montalcino appears in his hand as he fills your wine glass, without a single drop going astray. It’s magnificent, like liquid velvet of a deep purple red, just barely translucent in the dimmed light of the restaurant. Again, how did they know?

Of course you want to pick it up, you can feel your arm tensing and your mouth wetting with saliva in anticipation, but you restrain yourself for another moment to take in the beauty of the entire setting as you allow your gaze to go from the glass to take in the entire restaurant, the patrons dining at other tables, the way the room is decorated and appointed … all of it somehow providing a matched frame to your glass, the brunello waiting there for you to indulge, your favorite of all red wines.

So you pick it up, and even before it reaches your lips you smell the bouquet … it fills your nostrils, tickling the front of your brain and exciting your taste buds already. You take the first sip and it expands from the front of your tongue to the back of your mouth. It’s exquisite, and it’s as though time has stopped between the moment of taking that sip and swallowing, and as you do swallow once again you are filled with the bouquet of the wine, and the subtle sweetness of the grape at the back of your throat. Ahhhhhhhh … this alone would have been worth coming for …

You open your eyes, not realizing you had closed them, and in front of you is a filleted Dover sole menuniere … the simplest and most elegant of presentations. Brown butter, lemon and parsley forming the sauce the lightly dredged fish was sauteed in directly. This meal is wonderful beyond words, and literally since you asked for the menu that never appeared you haven’t spoken any.

What’s next, can there be more, can it get better???

Coffee and A Surprising Dessert

You refuse a refill on your wine, as you fork the last morsel of your sole. The plates are unobtrusively removed and the crumbs wiped from the tablecloth, and again, almost as if by magic elegant china coffee service appears before you. You can’t help but raise the empty cup for it’s beauty and it’s so fine the light shines through the translucent side walls, and transfixes your gaze for a moment.

As you bring your cup back down to the saucer, and pick up your gaze again sitting across from you is the stranger from the coffee shop again, with the same beautiful china coffee service before her as well … smiling back at you mischievously.

Once again you wonder for an instant when she arrived and sat down, because you missed it entirely, but this evening has so far been unusual enough to condition you to allow this to pass without comment. As that thought floats away your guest says simply, ‘Good evening. Did you enjoy your meal?”

“Thoroughly, it was the most magnificent meal I’ve ever had!”

“That’s wonderful.” she says. “But you haven’t had desert yet … just wait the meal isn’t quite finished yet.” As if on cue the waiters appear again, with covered silver platters they place before you and your guest.

The waiters glance at one another and simultaneously lift the silver covers from the platters, and you almost laugh out loud as you see what’s on the platter before you … three small donuts … a glazed doughnut, a chocolate cake doughnut, and an iced doughnut you don’t quite recognize.

After this extraordinary meal it feels so incongruous to be served donuts. Your guest seemed not to have moved a muscle, and has remained smiling, if anything possibly a little more of a smile now than when you first noticed her sitting across from you.

She nods towards the donuts, so you pick up the first one you noticed, the simple glazed one. You’re surprised as how light it is as you lift it. As you bring it up to take a bite, you are hit by the subtle smell wafting up to you you’re sure it’s citrus, but not sure what exactly, it’s familiar but you can’t quite place it. And, you take a small bite …

The taste is out of this world, this is unlike any doughnut you’ve ever had … bergamot and lime sublime!

Your hand feels frozen, as you look back and forth between the doughnut in your hand, and the two left on your platter, and your guest literally laughs out loud as she she’s your indecision … “Go ahead, finish it, you’ll be able to finish those two as well, that’s why they make them so small … no one has been able to resist yet.“

So you do, in one more rather small bite, and smile yourself. Then, you take a sip of the still steaming, strong, black, French Roast coffee in front of you. It’s bitterness hits you as the ideal way to cleanse your palate preparing you to try the chocolate doughnut. Again, it’s as if they knew how you like your coffee, hot, black and strong. How?

Your guest has already finished the glazed doughnut, and has already taken a bite out of her chocolate one. She looks almost intoxicated, so you reach out, lift the chocolate one yourself, and in almost direct opposition to how light the glazed one was this doughnut feels heavy and solid in some way.

This time you don’t hesitate, you take a bite and it is indeed dense, and then immediately melts in your mouth, almost like a divine chocolate truffle, and much less like any doughnut you’ve ever imagined.

This time the second bite, finishing the second doughnut, follows almost immediately and you feel you could giggle like a child, but you resist and feel a grin stretching your mouth happening beyond your control.

Coming Full Circle …

You realize you’re very happy, and you feel very close … even intimate with your dinner guest sitting across from you. How did this happen? What have these people done to you? Whatever it is, you realize you’re pleased they have … and, of course you realize you decided to accept the suggestion your guest gave you over coffee, and have participated in each act in the theater of this dinner.

Now, after another sip of your coffee, you feel an excited, anticipation about trying the mystery iced doughnut. Almost as soon as you have it in your fingers you realize what it is … carrot cake! The icing is cream cheese, and the flavor explodes with a remarkable balance of sweetness, spice, dark caramelized sugar … this time you do actually giggle, which turns in a moment to a laugh forcing you to cover your mouth because you haven’t quite finished your first wonderful bite of carrot cake doughnut.

After you wash down the final bite of dessert, you look across to your dining partner, and ask her, “So what’s really going on here? This meal has been the best of my life, and of course I want to thank you for your recommendation, and I will most surely come back, sit here again, and indulge in another fine meal like this one.”

The Last Laugh!

Now it’s your guest’s turn to laugh out loud again, literally tilting her head back as she does, and says, “No, no, no … you won’t! You see this is what we call the ‘Front Room’ for first time guests only. There are many more rooms in this building, each taking you further into what our chefs are capable of preparing … much more than you can even imagine from this meal alone!”

You find your head reeling with what you’re hearing. How could this be the simplest meal you’ll have in this amazing restaurant. “How … how can this be this not be the best meal they are capable of preparing, I’ve never experienced anything like it!”

“I can only ask that you trust me, and come back soon. This meal was specifically designed to begin what we think of as both satisfying you completely, and training your palate for what’s to come.”

“My friends and I,” at this point you notice the waiters have returned to your table side, “would love to see you again and take you much deeper into the adventure you’ve just begun.”

Now imagine how, at this point as your new found guide looks across the table, you realize that what she has just said is exactly how you feel sitting there … content, confident and curious about what’s next.

Joseph Riggio, Ph.D.
Architect & Designer of the MythoSelf Process and SomaSemantics

Sarasota, FL – 9 Oct 2020